Editorial England: Wild Dartmore

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A couple of months ago the editorial team of Razz My Berries Magazine handed over our reigns to a brilliant, fresh new committee of burgeoning writers, online whizzes and social butterflies. I packed my Razz experience into a proverbial box and sat, baking languidly in the summer sun, reminiscing the fashion, editing and beauty opportunities that had come my way over the past two years. And, as I sat, my phone suddenly buzzed, rather insistently, in my pocket – Toby Craddock, the Magazine’s new Editor wanted to know if I was free for the next creative shoot.
And out of the blue, the experience was not quite over at all.

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With the launch of the magazine, I can finally reveal some sneaky, behind-the-scenes shots of arguably the best editorial campaign Razz My Berries has yet seen: the Dartmore Collaboration.
Not that I could possibly be biased.

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Creative Editor: Wentworth Cecil-Gurney
Model: Joe Stewart, Jules Howe
Photographer: Nathan Dunovic
MUA & Dresser: Charlotte Black
MU/Lighting Assistant: Marianne Pilloux

On a sizzling Sunday in summer, the shoots Creative Editor, Wentworth Cecil-Gurney, along with some of the most fabulous props curtsey of the National Theatre London, veered into Exeter and collected out five-strong artistic team for the day.  I was make-up artist and on hand-dresser on a stunning day’s romp through the Dartmore hills where everything that could possibly happen, just happened.

I guess it’s appropriate to say here that I’m not the most spontaneous person in the world. In fact, the word rolls reluctantly over my tongue with a less-than-fair share of unease; I’ll readily admit that I have several traits of being an oldest child, and certain people may have muttered the words ‘control-freak’ in description of my person (at their own peril, of course). Luckily however, un-spontaneity aside, working in the creative world, and with many creative types, this particular trait, which I would rather refer to as being obsessively organised, has been (forcibly) tempered over the years by learning to quietly go with the flow. Definitely useful on a shoot like this.

 Having never met any of the team before, the artistic venture turned out to be one of the most strange, but utterly fantastic I’ve had yet: we sped wildly and we ran out of fuel spectacularly; we ate cream teas and drank pints, shared car-chat and car-silence; we chased ponies, dodged road-roaming cows and borrowed certain historical sites on creative licence, and enjoyed what absolute weirdness can happen in the rare English sun when six undergrads come together to make  and create a stylised shoot.

There’s nothing like the buzz on set when things flowing smoothly from one shot to another, practically glowing the in late afternoon sun. Spontaneity’s the name of the game when you’re working with a limited supply of make up in the wilderness, moving from one shot to another in a set, and shooting in natural lighting. We may have been six strangers (and one happy puppy) on meeting at 10AM, but on set, and in assuming our rightful roles, we could really feel things building; you can spend an afternoon as just people, travelling through the wilderness of Dartmore, but when business called we were suddenly and certainly, an editorial team. Photoshoot setting , tools in hand and perfect light, the Razz Magazine Dartmore Editorial was well and truly under way.

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Photography credits:Marianne Pilloux & Charlotte Black

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MAKE-UP

For this shoot, it was out with the lights and dressing rooms, and into the open nature as we worked on the grass to get Joe and Jules photo ready with my small box of tools and Jules’ own make-up.

Focusing on the skin in a puritanical/gothic, out of the 17th Century look for JULES, it was out with the bronzer and in the the pale foundation for her porcelain skin. Even the most perfect needs some protection against the glare of summer sun, especially in photographs – and summer shine is so not 17th Century. Foundation followed by a light, powder-based sculpting tone (try Cezanne, Japan) to accentuate the angles of her face, a sweep of a red based blusher and translucent finishing powder (try Bare Minerals Veil).  Wentworth was looking for a dark, purplish lip to match the dress, so a little improvising with a mixture of eyeshadow powder and lippy, and an all-over matt look was finished. A quick half-up, half-down do with a pinned square or reed knot (for you former Brownies and Scouts out there) and she was ready to be buckled into her plush velvet dress. Hot in the sun!

Personally, I think it’s always strange putting make-up on boys, and despite having done it on a regular basis working in the theatre with Exeter University Theatre Company, I still haven’t been able to shake the feeling that it’s a little exciting, if not lightly odd! I guess I’ve been putting it on myself since I could hold a lipstick (ruining several of my mum’s lipsticks in the bathroom, sorry mum), and I’ve got twenty odd years to catch up on when it comes to make-uping the lads. With JOE it was a non-shimmer bronzer to accentuate his bone structure, pencilling his eyebrows, and the mandatory sweep of mascara and liner. As rough and ready as we were going for, it got a little up close and personal with the tweezers as Wentworth asked for some eyebrow taming, so thankfully Marianne stepped in… Then it was off to hold the light reflectors and catch the afternoons rays!

Check out the Alternative Freshers Guide Campaign which features one of Photographer Nathan Dunovic’s shots!

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Razz My Berries Alternative Freshers Guide

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Look out for the next Razz My Berries Issue to see the shoot in full. If you’re lucky enough to in Exeter, the University campus shop stocks copies, or get in touch with the editors at razzmag@gmail.com.

Find out more about the Magazine on Twitter | Facebook | WordPress
And about our lovely Photographer’s clothing line at Tight-Threads.com

And until next time…

If these shots are anything to go by, it’s OK to be spontaneous.

(Sometimes.)

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Charlotte xx

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Sublime Creations: Maria Dragan Photography

‘Hide Me’ © Maria Dragan Photography.

Maria Dragan Photogaphy | Official Website | Vogue Italia 

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When I first met Maria two years ago, I was still a jittery fresher in the first term of University; then I was taken aback by that chance meeting with a determination you rarely see. I knew right then that not only did she know exactly what she wanted, but that she would chance every angle and opportunity to get there. Although relatively large for it’s size, in the small photography scene in Exeter I kept bumping into her work, so it’s simply an utter shame on my part that I haven’t taken the chance to write about her photography until now. For those of you who are afraid of writerly bias, I only ask that you to look at her work – I can promise it’s breathtaking.

Operating in the competitive, digital and world-wide market of the 21st century is no walk in the park for any industry, and no one, ever, said it’s easy to fulfil creative dreams of becoming a fashion photographer. But something of this heady mix of creativity and technology has brought Fashion and Wedding Photographer Maria Dragan from the quaint, South-West England city of Exeter to the attention of Vogue Italia, and having had the privilege of working with her this June, it’s not hard to see why.

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Maria’s a small, whirlwind force of ingenuity and competition on set; anything and everything becomes a tool for communication – and maybe it’s no mere coincidence that, being trained in Journalism: she has an eye for a good story. There’s nothing impersonal about her work either. Despite implications that in commercial modelling the model is merely a white-blank tool, that the make-up artist is only there to serve a purpose, there’s nothing of that sense of distance in Maria’s work. The result of taking part in styling, make-up artistry and really getting to know the model? The air on set could ignite with collaborative energy. Watching her work, it’s hard to believe anyone could be so relaxed even under what is obviously a serious dedication to the right shot; that I can only put down to taking real joy in your work.

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 If you, like me, want to see more of Maria’s stunning work check out her Facebook or Twitter!

I’d keep your eyes on this one, folks.

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All work is explicitly under © Maria Dragan Photography

Behind the Scenes: Distortion and Control Photoshoot

So you may remember that a couple of months ago, the Razz My Berries Magazine’s editorial team (of which yours truly is a member) worked make-up and styling for the Issue 14 photoshoot: ‘Distortion and Control’. Editor Becky Lodder wrote up the day’s Behind the Scenes article with sneaky preview photos from Online Editor Katherine McIntosh – and my intensely-concentrating face even featured in a cheeky photo on the website. It was a fabulous morning of tense make-up overseeing – and most importantly, the role of light diffuser holding – in the beautiful Reed Hall. For this project, the editors worked closely with London-based photographer Charles III Photography, who was on set both photographing and filming under his sub-company Travis & the Gentleman for the day…

Hair and Make-Up: Distortion and Control Photoshoot

And here’s a sneaky few shots from the day! The landscape shots can be opened in full by clicking on the photos.

Razz My Berries Magazine | Issue 14 Distortion & Control

© Charles III Photography
Models Left to Right: Conor Bryne, Emma Brisdon, Mellissa Bryan, Alina Ivan, Toby Craddock, Ioana Cristina Minulescu
© Charles III Photography
Model: Ioana Cristina Minulescu
© Charles III Photography
Model: Toby Craddock

© Charles III Photography

© Charles III Photography

© Charles III Photography

It’s always interesting  to look at photos in hindsight – an artist, or at least I, am never 100% happy with my work; call me a perfectionist, but there’s always something that I would love to try differently or improve on. However, this is the real world: time is money, experience is all about making mistakes and unfortunately, you can’t start out calling all the shots on set – all we can do is keep moving on and upwards. I can’t wait for the next chance to work with such a great team of the creatives to build a shared vision of something beautiful; I am dying to do big shoots like this in the future…

Ladies and Gents, fashion is my drug of choice.

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